“Don’t Get Mad, Get Even” is a Nigerian comedy film directed by Wale Ojo, . The film cleverly explores themes of education, wealth, and sibling dynamics, offering a comedic look at the complexities of family relationships and financial struggles.
The story centers on two brothers, Juwon and Kunle, who come from vastly different backgrounds. Juwon (played by Femi Jacobs) is a well-educated university lecturer who finds himself facing severe financial difficulties. Despite his education and career, Juwon is unable to manage his finances effectively, which leads him to turn to his younger brother, Kunle (played by Deyemi Okanlawon), for help.
Kunle, on the other hand, is uneducated but has found success as a musician, living a lavish lifestyle. His creativity and entrepreneurial spirit have allowed him to thrive in the entertainment industry, in stark contrast to Juwon’s more traditional academic path. As Juwon seeks Kunle’s financial support, the two brothers are forced to confront their differences in upbringing, values, and views on success.
The film humorously examines how these contrasting personalities and worldviews lead to conflicts and misunderstandings, while also highlighting the importance of family, brotherhood, and the lessons each brother learns from the other.
Femi Jacobs as Juwon, the educated yet financially struggling lecturer.
Deyemi Okanlawon as Kunle, the creative, uneducated younger brother who is successful in music.
Toyin Abraham as Ngozi, Kunle’s love interest, who adds another layer of tension to the brothers’ relationship.
Patience Ozokwor as Mama Caro, the matriarch of the family, whose wisdom and humor offer a grounding presence.
Yemi Solade as Jaiye, a family friend who adds to the film’s comedic elements.
Nancy Isime as Ada, a character who plays a key role in the unfolding drama.
Jide Kosoko as Landlord, adding depth and flair to the film’s narrative.
Kenneth Okolie as Julius, another significant character in the story.
Saheed Balogun as Ksali, a friend of Kunle who is involved in the storyline.
Wale Ojo as Dr. Badejo, a character who brings additional intrigue and humor to the plot.
“Don’t Get Mad, Get Even” explores the tensions between education and success, questioning societal expectations of what constitutes a “successful” life. The film examines how siblings from different walks of life navigate their relationship, offering humor and heart as they overcome challenges together. It also touches on family loyalty, personal growth, and the importance of helping each other in times of need, all while keeping the audience entertained with witty dialogues and comedic situations.
The film was well-received for its engaging storyline and strong performances, particularly from Femi Jacobs and Deyemi Okanlawon. The chemistry between the lead actors, coupled with the film’s lighthearted exploration of serious themes, made it a popular choice for Nigerian audiences. The movie’s success highlighted its appeal as both a comedy and a commentary on contemporary Nigerian society.
